From: Larry KaneTo: Readers“Death by Deadline”, based in Philadelphia, is fiction. The characters are not real people. But the premise, the need for local news to be first, at whatever expense, is. This is a fly-on-the wall look at good and awful broadcast journalists, filled with betrayal, sexual tension, high hopes, heroes, and tragically, murder by newscast. It is a mystery thriller that traps a half million people.. Fiction? Yes. Reality? Maybe on some dark day in the future, if, indeed it is not too late.Excerpts from Death By Deadline:NEWS DIRECTOR PASSES ON MURDER COVERAGE“Isn’t that a rundown, sh…ty neighborhood?” she says, her hands gesturing in the air, a conductor without form. “Yeah--but we’ve got two men critically wounded.”Pierce puts her hands on her hips and answers in her cigarette-scarred, gravelly voice, “Bag it. Nobody gives a f.. about that godforsaken, bombed-out neighborhood. Shootings there are a dime a dozen. It’s not worth a reporter. I’m not biased, mind you. I just know what sells tickets to TV in this town.” As the men on Cambria Street gasp their final breaths, Barb, a closet racist, knows that most viewers in the suburbs don’t care…the whites in the twenty-five to fifty-four age range that advertisers prefer, care little about the city, except for its theaters and swank restaurants. For suburbanites, the path is simple--drive in, have a valet park your car, eat and be entertained, and after you’re done, get the hell out of Dodge. Barb is first and foremost, she believes, a realist.Keith Byrne is sitting across from me at the meeting desk, and I can feel his impatience. His blue eyes are barely visible, staring as he does out the picture window, then turning as he gives Barb the big squint. He says, “Cover the damn story, Barbara. It’s a two-fer. Two may be dead. C’mon, Barb, let’s rock.”Righteous Anchor With A ProblemAfter listening to the boss’s tirade, reporter Byrne opens the top drawer of the supply cabinet, grabs two pencils, and walks over to the electronic pencil sharpener bolted to the wall of the assignment desk next to the maps. I have to hold back a smile. Every time Byrne gets tense (usually about a story or when there’s a new sexy reported in the room) , he inserts a pencil in sharpener. He seems calmed by the sound of the machine slicing through the wood and the lead, the buzz of that little saw drilling in the narrow hole inside the machine.Go-to-guy is tall and handsome, with a dark head of hair so full he could be a model. His face is chiseled, dimples crease his cheeks every time he smiles, and he has the all-American blue eyes of a movie star and an Einstein brain. I hate him for his looks, but I love him for what’s between the ears. I mean, Keith is from central casting for women who like hunks.I am the reverse; I’m what they call ethnic. My nose is long; my hands wander in the air when I talk. My smile is crooked. So Byrne and I look different. But we have shared values. Keith knows the difference between news and bullshit. The day of Lakeview, he saved the day by being smart. After all, who knew what the Lakeview High trouble was until Keith cut through the bullshit? Even the cops were confused.My Continuing Narrative From ICUMy arms and legs are confined close to my body. My body hurts so badly that my eyes keep closing.. The man in the fatigues has his weapon balanced against the wall. He’s talking on a cell phone. ”No way, that many?” he says. “No f…ing way. I have to call home. My God, I hope the kids made it back okay.” What is he talking about? And why is the United States Secretary of Homeland Security entering my room?Memorial Service For Victim Of Death By Deadline“I want to begin this address with a moment of silence for the family of Anthony Perez. He was not just a victim of mistaken identity, of a crime perpetrated by a gang of killers. He was also a victim of reckless journalists who wreak havoc with information. Who knows what catastrophes we could create with bad information? (The reader of the novel will soon see the trap set for the unthinkable.)RECKLESS ANCHOR CELEBRATES “Well, ’fess up, Danny, because we are walking a tightrope. You killed that kid….“You are wrong. I’m the goddamned franchise anchor. I will live on, because I’m the best. Do you think anyone knows or cares about Ned Lemond, the man who insisted that we show the video? So the kid is dead. But we are also two days from the ratings. We hit the jackpot.”A TROUBLED COP WATCHING TV AND DREAMING The face belongs to the franchise anchor of the city’s number one station, Danny Caldwell, though the voice isn’t his. He stares at Perez with cold blue eyes. In his arms he carries a body draped in a cherry-and-white blanket, a blanket bearing the colors of Temple University. The blanket is wrapped carefully over the body . Caldwell is now shrouded in a gown with a halo around his head. He holds him out as an offering, then launches the boy on his ascension to heaven. Caldwell says to the cop, “We have secrets. You know mine, I know yours. And Perez, you moron, I don’t have one f---- regret.” Soon, Perez dreams, Caldwell will trip into a crevice in the ground. He will be sucked into the quicksand of inner earth on his tortuous descent into hell.